Out of curiousity, I wonder under what circumstances this is considered
plagerism, even in modern times. C.S. Lewis took the Psyche/Eros myth
when he wrote Till We Have Faces. It seems like there are other necessary
conditions for being a plagerist than copying another older work.
What is the definition of plagerism?
-- Matt
On Thu, 8 Nov 2001, Christopher Bader wrote:
> From: Daniel Ridings [mailto:daniel_ridings@yahoo.se]
> Sent: Thursday, November 08, 2001 8:20 AM
> To: Christopher Bader
> Subject: RE: Corpora: History of plagiarism
>
>
> > A "famous" example of true plagiarism is Samuel Taylor
> > Coleridge's
> > translations
> > of German philosophers and critics that he presented as
> > his own writing.
>
> Oh no, goes much further back than that (try Virgil).
>
> Auerbach, Mimesis (book title) will give you good insight
> into this.
>
> E. Stemplinger, ... forget the title now ... it's in my
> dissertation, which I've also forgotten.
>
> To copy another literary author was the epitomy of
> recognition. The other was so good that one found their
> works to be a challenge ... to try and do it better.
>
> It doesn't become a plagiarism until modern times (like the
> 1800's).
>
> Daniel Ridings
>
>
>
> > Christopher Bader
> >
> >
> >
> > -----Original Message-----
> > From: Aisha.Saidi@dictaphone.com
> > [mailto:Aisha.Saidi@dictaphone.com]
> > Sent: Wednesday, November 07, 2001 7:10 AM
> > To: p.clough%dcs.shef.ac.uk%DICTAPHONE@lhs.com
> > Cc: corpora@hd.uib.no; owner-corpora@lists.uib.no
> > Subject: Re: Corpora: History of plagiarism
> >
> >
> >
> > The most famous case I can think of is Shakespeare, who
> > is said to have
> > plagiarized freely from the works of other authors. His
> > play, Othello, for
> > example, is drawn from a story by the 16th century
> > author, Giraldi Cinthio.
> > Plagiarism wasn't always considered a bad thing, and
> > today it is still
> > accepted as a worthy practice for students learning to
> > write.
> >
> > See Alexander Lindey, Plagiarism and Originality 1952 for
> > an interesting
> > history.
> >
> > Aisha Saidi
> >
> >
> >
> >
> >
> >
> > "Paul Clough"
> >
> > <p.clough@dcs.sh To:
> > <corpora@hd.uib.no>
> >
> > ef.ac.uk> cc:
> >
> > Sent by: Subject:
> > Corpora: History of
> > plagiarism
> > owner-corpora@li
> >
> > sts.uib.no
> >
> >
> >
> >
> >
> > 11/07/01 05:07
> >
> > AM
> >
> >
> >
> >
> >
> >
> >
> >
> >
> > Dear All,
> >
> > I would like to compile a short report regarding the
> > history of plagiarism
> > detection and plagiarism studies in general. Does anyone
> > have examples of
> > "famous" plagiarism cases or know of work investigating
> > plagiarism
> > throughout the ages. For example has the increase of
> > information in
> > electronic form, the development of word processors or
> > access to the
> > Internet increased the number of plagiarism cases?
> >
> > I have compiled a report discussing plagiarism detection
> > in both software
> > and free text. This can be found in HTML form at:
> >
> http://www.dcs.shef.ac.uk/~cloughie/plagiarism/HTML_Version/index.html
> > and
> > PDF format at:
> > http://www.dcs.shef.ac.uk/~cloughie/papers/Plagiarism.pdf
> >
> > I am currently compiling a website detailing plagiarism
> > detection
> > strategies, including references, pointers to commerical
> > plagiarism
> > detection software and some home-produced software for
> > this interesting
> > topic.
> >
> > Thanks,
> >
> > Paul.
> >
> >
> >
> ----------------------------------------------------------------------------
> >
> > ---------------------
> > Paul Clough
> >
> > Natural Language Processing Group,
> > Department of Computer Science,
> > University of Sheffield,
> > G35 Regent Court,
> > 211 Portobello Street,
> > SHEFFIELD,
> > S1 4DP.
> >
> > http://www.dcs.shef.ac.uk/~cloughie/index.html
> >
> ----------------------------------------------------------------------------
> >
> > ----------------------
> >
> >
> >
> >
> >
> >
> >
> >
> >
>
>
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